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"label": "Binding",
"value": "<p>Scuffed contemporary brown sheep, with double blind-tooled ruling.<\/p>No label to the spine.<br /><p>The manuscript is now preserved in a modern slipcase of light-brown russia with a green ribbon.<\/p>On the spine of the slip-case there is written in gold lettering, 'elizabeth lyttelton's common-place book', and a shelf mark in pen and ink, 'Add 8460'."
},
{
"label": "Condition",
"value": "<p>The manuscript is mostly in a good condition, with no damage to the text block, but slight damage to the front and back endleaves.<\/p><p>All pages are stained at the outer margins, the 'beginning' and 'end' of the manuscript more heavily so.<\/p><p>Several pages (e.g. <a href='' onclick='store.loadPage(35);return false;'>pp. 33-44<\/a> and <a href='' onclick='store.loadPage(108);return false;'>pp. 106-99<\/a>) have come loose from the binding. This is apparent in many of the images.<\/p>"
},
{
"label": "Script",
"value": "<div style='list-style-type: disc;'><div style='display: list-item; margin-left: 20px;'><p>Items 1-37, 39, and 47-97 are written in Lyttelton's hand. This is a characteristic late seventeenth-century <li><i>round<\/i><\/li> hand. Two distinct phases in her penmanship can be discerned, corresponding to two different periods of entry. The earlier entries are in a lighter brown ink and neater, whilst later entries are in a darker ink and scratchier. The later entries include the title 'Queen Elizas answer to Bishop Gardner' at <a href='' onclick='store.loadPage(19);return false;'>p. 17<\/a>; the four poems by John Norris at <a href='' onclick='store.loadPage(12);return false;'>p. 10<\/a>, <a href='' onclick='store.loadPage(16);return false;'>p. 14<\/a>, <a href='' onclick='store.loadPage(24);return false;'>p. 22<\/a>, and <a href='' onclick='store.loadPage(26);return false;'>p. 24<\/a>; the epitaph on her mother Dorothy Browne, who died in 1685, at <a href='' onclick='store.loadPage(105);return false;'>p. 103<\/a>; and brief notes on St Andrew, St James, and St Peter, which she added below an entry copied by the original owner, at <a href='' onclick='store.loadPage(105);return false;'>p. 103<\/a>. The earlier entries include religious verse, extracts from the classics, and fragments from her father Sir Thomas Browne's writings, whilst the later entries are a broader mixture of religious and secular poetry and prose.<\/p><p>At various points in the manuscript (e.g., <a href='' onclick='store.loadPage(29);return false;'>pp. 27-28<\/a>) Lyttelton also used a less formal, correcting hand. This has fewer flourishes, and the graphs are smaller. She also used this hand to add headings at a couple of places: 'sen. Res severa et verumgaudium' (<a href='' onclick='store.loadPage(25);return false;'>p. 23<\/a>) and 's<sup>t<\/sup> Aug.climarum' (<a href='' onclick='store.loadPage(30);return false;'>p. 28<\/a>). This correcting hand probably dates from the second phase of her penmanship.<\/p><p>Punctuation erratic, but not unusually so; stanza divisions and ends of entries sometimes marked with horizontal lines.<\/p><p>Light use of abbreviation: \"y<sup>e<\/sup>\" for \"the\" and \"y<sup>m<\/sup>\" for \"them\", and frequent use of superscript letters and contractions ('S<sup>r<\/sup>', 'D<sup>r<\/sup>', etc.). Latin entries often show an abbreviation of the final consonant (using a tilde or \"circumflex\" mark).<\/p><\/div><div style='display: list-item; margin-left: 20px;'><p>Items 38, 40, 41, 42, 43, 44, 45, and 46 were copied by the original owner of the manuscript, and are in a more cursive <li><i>round<\/i><\/li> hand. Characteristic features of this hand include the pronounced looping descenders on infralinear graphs (\"f\", \"g\", \"p\", long \"s\", and \"y\") and the long cross strokes on \"t\" and \"f\". The strokes are also more lightly inked than Lyttelton's, perhaps reflecting the status of these items as sermon notes. The orthography is also extremely idiosyncratic. Until recently, this hand was unidentified, and scholars simply referred to the items collectively as 'Sermon notes and homilies'. However, Dr Rebecca Bullard of Merton College, Oxford, has identified this hand as Dorothy Browne's, wife of Sir Thomas Browne, and mother of Elizabeth Lyttelton. We are indebted to Dr Bullard for sharing this discovery with us (personal communication, 20 November 2008).<\/p><\/div><\/div>"
},
{
"label": "Origin Place",
"value": "England"
},
{
"label": "Provenance",
"value": "<p>The manuscript, and copyist of the sermon notes and homilies (<a href='' onclick='store.loadPage(161);return false;'>pp. 170-104, p. 102<\/a>), originally belonged to Lady Dorothy Browne (d. 1685), wife of Sir Thomas Browne, and mother of Elizabeth Lyttelton.<\/p><p>At some point, the manuscript then passed to Elizabeth Lyttelton (b. c. 1648, d. after 1728), third of the seven daughters of Thomas and Dorothy Browne. Elizabeth later gave the manuscript to her cousin Edward Tenison (bap. 1673, d. 1735), prebendary of Canterbury, and afterwards bishop of Ossory, as a note on the back flyleaf indicates: 'Mar. 11<sup>th<\/sup> 1713/4 The gift of Mrs Lyttelton to Edward Tenison' (<a href='' onclick='store.loadPage(176);return false;'>p. 174<\/a>). On front and back flyleaves (<a href='' onclick='store.loadPage(3);return false;'>p. 1<\/a> and <a href='' onclick='store.loadPage(176);return false;'>p. 174<\/a>) signatures of Mary Browne, Elizabeth's younger sister, and also 'Ja<sup>s<\/sup> Dodsley', presumably a later owner of the manuscript.<\/p><p>Purchased by Geoffrey Keynes for three guineas during the First World War (<i>Bibliotheca Bibliographici<\/i>, no. 1301) and published by him in 1919. Presented, with his Browne collection, to the Royal College of Physicians (with their bookplate and Keynes\u2019s \u2018ex dono\u2019 label) in 1975. Later (before his death in 1982) Keynes requested that the collection be sold to the University of Cambridge to benefit the College building fund.<\/p>"
},
{
"label": "Physical Location",
"value": "Cambridge University Library"
},
{
"label": "Extent",
"value": "174 pages (pp. 174-46 reversed) height: 204 mm, width: 165 mm."
},
{
"label": "Funding",
"value": "Arts and Humanities Research Council"
},
{
"label": "Date of Creation",
"value": "1670-1714"
},
{
"label": "Title",
"value": "Elizabeth Lyttelton's commonplace book; English, French, and Latin; 1670s-1713."
},
{
"label": "Material",
"value": "<p>Paper<\/p>"
},
{
"label": "Collation",
"value": "<p>I:8 [wants 3 (though this remains as a stub between pp. 4 and 5); includes front endleaf, which forms physical part of gathering], II-X:8, XI:8 [includes back endleaf, which forms physical part of gathering]<\/p>"
},
{
"label": "Classmark",
"value": "MS Add. 8460"
},
{
"label": "Decoration",
"value": "<p>None, except the Latin motto (perhaps that of Sir Walter Ralegh) on <a href='' onclick='store.loadPage(74);return false;'>p. 72<\/a>, 'AMORE ET VERTVTE', which is written inside a hand-drawn banner.<\/p>"
},
{
"label": "Subject(s)",
"value": "Verse; Prose; Devotional; Sermons; Women's Writing; Book Lists; Church History; Classics; Commonplaces; 1650 - 1700; 1700 - 1750"
},
{
"label": "Language(s)",
"value": "Mostly English, but some French and occasional Latin"
},
{
"label": "Layout",
"value": "<p>No ruling or pricking.<\/p><p>Texts entered in one column, with a variable number of lines per page.<\/p><p>No quire or leaf signatures.<\/p><p>No catchwords.<\/p>"
},
{
"label": "Foliation",
"value": "<p><p>Modern pagination added, accurately and consecutively (1-174), in pencil to top of outer margin; one unpaginated stub between <a href='' onclick='store.loadPage(6);return false;'>pp. 4-5<\/a>.<\/p><p>Items entered at both ends of the manuscript by first two owners, so that the terms 'beginning' and 'end' are arbitrary ones, and apply only to this pencilled pagination (see Keynes, <i>Commonplace Book<\/i>, p. 9). The first owner of the book, Lady Dorothy Browne, copied entries at what are now <a href='' onclick='store.loadPage(173);return false;'>pp. 171-104<\/a> and <a href='' onclick='store.loadPage(104);return false;'>p. 102<\/a>, whilst the second owner, her daughter Elizabeth Lyttelton, wrote entries at both ends of the book (<a href='' onclick='store.loadPage(4);return false;'>pp. 2-45<\/a>, <a href='' onclick='store.loadPage(176);return false;'>pp. 174-171<\/a>, and <a href='' onclick='store.loadPage(105);return false;'>pp. 103-46<\/a>).<\/p><p>Our digital facsimile follows this pagination in order to preserve the integrity of the manuscript. However, after the first 45 pages, we have reversed the manuscript and also the images of the individual pages (<a href='' onclick='store.loadPage(48);return false;'>pp. 46-174<\/a>) to facilitate consultation and reading. Thus our user will open the manuscript from one end, but read it from both ends. We believe that this decision allows us to replicate both how the original owners used the manuscript and the experience of a modern reader faced with it in the Manuscripts Reading Room of Cambridge University Library. We have, in effect, sought to replicate digitally the process of turning the manuscript physically, which any reader of it would need to do.<\/p><\/p>"
},
{
"label": "Bibliography",
"value": "<div style='list-style-type: disc;'><div style='display: list-item; margin-left: 20px;' id=\"ANON1964\"><i>Bibliotheca Bibliographici: A Catalogue of the Library Formed by Geoffrey Keynes<\/i> (London: Trianon Press, 1964) number. 1301.<\/div><div style='display: list-item; margin-left: 20px;' id=\"BURKE2003\">Burke, Victoria, \"Contexts for Women's Manuscript Miscellanies: The Case of Elizabeth Lyttelton and Sir Thomas Browne\", in <i>The Yearbook of English Studies<\/i> (2003) vol. 33 pages. 316-28.<\/div><div style='display: list-item; margin-left: 20px;' id=\"DOBELL1918\">Dobell, Percy John, <i>The Literature of the Restoration, Being a Collection of the Poetical and Dramatic Literature Produced between the Years 1660 and 1700, with Particular Reference to the Writings of John Dryden<\/i> (London: P. J. & J. E. Dobell, 1918) pages. 95.<\/div><div style='display: list-item; margin-left: 20px;' id=\"EVANS1979\">Evans, John T., <i>Seventeenth-Century Norwich: Politics, Religion and Government, 1620-1690<\/i> (Oxford: Clarendon Press, 1979).<\/div><div style='display: list-item; margin-left: 20px;' id=\"KEYNES1919\">Keynes, Geoffrey, <i>The Commonplace Book of Elizabeth Lyttelton<\/i> (Cambridge: Cambridge University Press, 1919).<\/div><div style='display: list-item; margin-left: 20px;' id=\"KEYNESTLS1919\">Keynes, Geoffrey, \"A Daughter of Sir Thomas Browne\", in <i>The Times Literary Supplement<\/i> (1919) vol. 922 pages. 470.<\/div><div style='display: list-item; margin-left: 20px;' id=\"MORAN1952\">Moran, Berna, \"Sir Thomas Browne's Reading on the Turks\", in <i>Notes & Queries<\/i> (1952) vol. 197 pages. 380-82, 403-6.<\/div><div style='display: list-item; margin-left: 20px;' id=\"MORRIS1986\">Morris, G. C. R., \"Sir Thomas Browne's Daughters, 'Cosen Barker', and the Cottrells\", in <i>Notes & Queries<\/i> (1986) vol. 231 pages. 472-78.<\/div><div style='display: list-item; margin-left: 20px;' id=\"NELSON2008\">Nelson, Brent, \"The Browne Family's Culture of Curiosity\", in Barbour, Reid, and Claire Preston, eds , <i>The World Proposed: Essays on Thomas Browne<\/i> (Oxford: Oxford University Press, 2008) pages. 80-99.<\/div><\/div><br />"
}
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"attribution": "Provided by Cambridge University Library. Zooming image © Cambridge University Library, all rights reserved The images of this manuscript are published under a Creative Commons Attribution-NonCommercial-NoDeriv license.You are free to copy, distribute and transmit this image, under the following conditions:Attribution. You must attribute the image, in all cases, to Cambridge University Library, and to Scriptorium: Medieval and Early Modern Manuscripts Online.Non-commercial. You may not use this image for any commercial purposes.No Derivative Works. You may not alter, transform, or build upon this image.Any requests for a higher-definition copy of this image, or permission to publish, should be directed to the Imaging Services Department, Cambridge University Library. For further information, you should consult the University Library website at http://www.lib.cam.ac.uk/deptserv/imagingservices/reproductionrights.html. This metadata is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.",
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"label": "An hymne to our Redeemer"
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"label": "she was & is, what Can there more be said"
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"https://cudl.lib.cam.ac.uk/iiif/MS-ADD-08640/canvas/40",
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"label": "Know I what years heaven has for mee decreed"
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"canvases": [
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"@id": "https://cudl.lib.cam.ac.uk/iiif/MS-ADD-08640/range/ITEM-34",
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"@id": "https://cudl.lib.cam.ac.uk/iiif/MS-ADD-08640/range/ITEM-35",
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"@id": "https://cudl.lib.cam.ac.uk/iiif/MS-ADD-08640/range/ITEM-36",
"label": "2 for 1 3 for 5 then 2 & then 2 & 4 Comes by line"
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"@id": "https://cudl.lib.cam.ac.uk/iiif/MS-ADD-08640/range/ITEM-37",
"label": "S<sup>r<\/sup> Walter Rawleigs Letter to his wife after his<br /> Condemnation"
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"@id": "https://cudl.lib.cam.ac.uk/iiif/MS-ADD-08640/range/ITEM-38",
"label": "The Eloquence of inferiours is in words"
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"label": "the 7 Penitentiall <i class='delim' style='font-style:normal; color:red'>〚<\/i><i class='del' style='font-style:normal; text-decoration:line-through;' title='This text deleted'>spa<\/i><i class='delim' style='font-style:normal; color:red'>〛<\/i> psalms, the 6, 39, 37, 50,"
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"label": "King James came in progres to the house of S<sup>r<\/sup><br />Pope Knight, when his Lady was lately delivered<br /> of a daughter, which babe was Presented to the<br /> King with a Paper of verses in her hand,<br /><i class='delim' style='font-style:normal; color:red'>〚<\/i><i class='del' style='font-style:normal; text-decoration:line-through;' title='This text deleted'>which because<\/i><i class='delim' style='font-style:normal; color:red'>〛<\/i>"
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"@type": "sc:Range",
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"label": "An Epitaph upon Felton, who was hang'd in Chains for murdering the Old Duke of Buckingham"
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{
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"label": "Fragment on meadows"
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{
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