@foba/quotes-creativity
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quotes on creativity
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var utilQuotes = require('@foba/util-quotes');
var Anna_Sui = [{
figure: 'Anna Sui',
mark: 'via Gerston, Jill. The Toast of New York: Anna Sui Mixes Grunge With Disco. Los Angeles Times (19921113).',
quote: 'They don\'t need me to be another Establishment designer. That\'s not what I\'m good at...'
}, {
figure: 'Anna Sui',
mark: 'via Now Smell This. Anna Sui Secret Wish, Summer by Kenzo, Z Zegna & more new fragrances. Pennsylvania (20050329).',
quote: 'With the way that the times are, we\'re all looking for a little fantasy... Fantasy is such an important part of my fashion...'
}, {
figure: 'Anna Sui',
mark: 'via Borrelli-Persson, Laird. Spring 2010 Ready-to-Wear. Vogue (20090916).',
quote: 'I\'m always about optimism and exuberance. It\'s what I feel about fashion.'
}, {
figure: 'Anna Sui',
mark: 'via Vanderbilt, Tom. Made in Midtown: Meet Anna Sui. The Huffington Post (20100612).',
quote: 'We manipulate fabric.'
}, {
figure: 'Anna Sui',
mark: 'via Nika, Colleen. "Exclusive: Anna Sui Discusses Her Spring 2012 Show and Punk Rock Heritage". Rolling Stone (20110914).',
quote: 'Longing and desire goes further than instant satisfaction. That\'s human nature.'
}, {
figure: 'Anna Sui',
mark: 'via WeConnectFashion. "USA Swimwear Market Research Report 2015". WeConnectFashion (2015).',
quote: 'The sexiest thing about a bikini is that it leaves something to the imagination, which is the best part.'
}, {
figure: 'Anna Sui',
mark: 'via MBFashionWeek.\ncom. IMG Worldwide. 2015.',
quote: 'You have to focus on your dreams, even if they go beyond common sense. How could this young girl from the suburbs of Detroit become a success in New York? It was always that dream.'
}, {
figure: 'Anna Sui',
mark: 'CNN Interview (20040731)',
quote: 'Every time that I wanted to give up, if I saw an interesting textile, print what ever, suddenly I would see a collection.'
}, {
figure: 'Anna Sui',
mark: 'CNN Interview (20040731)',
quote: 'To stand out in the crowd I liked the color purple.'
}, {
figure: 'Anna Sui',
mark: 'CNN Interview (20040731)',
quote: 'I read about two young ladies that went to Parsons, and when they graduated Elizabeth Taylor opened a store for them in Paris and I thought okay-that\'s all I have to do!'
}, {
figure: 'Anna Sui',
mark: 'CNN Interview (20040731)',
quote: 'I think a dream can take you farther than anything.'
}, {
figure: 'Anna Sui',
mark: 'CNN Interview (20040731)',
quote: 'I think that I appeal to the girliness in all of us.'
}, {
figure: 'Anna Sui',
mark: 'CNN Interview (20040731)',
quote: 'The man that owned the company that I worked for called me into the office and said how can you be on our payroll and have your own New York Times ad! This has to stop! And I said but it can\'t I have orders to ship. And he said well you\'re fired. And that\'s how I started my business.'
}, {
figure: 'Anna Sui',
mark: 'CNN Interview (20040731)',
quote: 'I\'m still dreaming.'
}, {
figure: 'Anna Sui',
mark: 'CNN Interview (20061004)',
quote: 'You have to be in the right place at the right time and understand that and know when it is your time and how you react to it and how you respond to it.'
}, {
figure: 'Anna Sui',
mark: 'CNN Interview (20061004)',
quote: 'I love research. I love learning...'
}, {
figure: 'Anna Sui',
mark: 'CBS News Interview (20090308)',
quote: 'To me, fashion is like a mirror... It\'s a reflection of the times. And if it doesn\'t reflect the times, it\'s not fashion. Because people aren\'t gonna be wearing it.'
}, {
figure: 'Anna Sui',
mark: 'CBS News Interview (20090308)',
quote: 'I think whenever people talk about the \'Anna Sui woman,\' they\'re talking about someone that\'s probably kind of more downtown, and there\'s always like this ambiguity: Is she a good girl, or a bad girl?'
}, {
figure: 'Anna Sui',
mark: 'CBS News Interview (20090308)',
quote: '"It\'s kind of a dream come true, because to me fashion is not just the clothes, it\'s all the accoutrements that go with it...'
}, {
figure: 'Anna Sui',
mark: 'New York Times Interview (20101111)',
quote: 'I live for fashion.'
}, {
figure: 'Anna Sui',
mark: 'New York Times Interview (20101111)',
quote: 'I love the whole story of why something happened when it did and that’s what I put into the collections.'
}, {
figure: 'Anna Sui',
mark: 'New York Times Interview (20101111)',
quote: 'I don’t answer to anyone.'
}, {
figure: 'Anna Sui',
mark: 'New York Times Interview (20101111)',
quote: 'We do all the first samples here and all the production in the garment center, within these few blocks... I love the process.'
}, {
figure: 'Anna Sui',
mark: 'New York Times Interview (20101111)',
quote: '... I am a New York designer and the things are made in New York...'
}, {
figure: 'Anna Sui',
mark: 'New York Times Interview (20101111)',
quote: 'I grew up in Middle America and in the suburbs...'
}, {
figure: 'Anna Sui',
mark: 'New York Times Interview (20101111)',
quote: 'American television is popular everywhere and its what I grew up on.'
}, {
figure: 'Anna Sui',
mark: 'New York Times Interview (20101111)',
quote: 'Be true to yourself and figure out what it is that you are good at.'
}, {
figure: 'Anna Sui',
mark: 'Interview Magazine (20101215)',
quote: 'I was always attracted to the way rock stars dressed and the way their girlfriends dressed.'
}, {
figure: 'Anna Sui',
mark: 'Interview Magazine (20101215)',
quote: 'When I am designing, I make a selection of music that will be the inspiration behind the whole collection... I will be blasting that music—it becomes a journey I take in my brain to transfer that sound to the clothing.'
}, {
figure: 'Anna Sui',
mark: 'Interview Magazine (20101215)',
quote: 'I love history. I love art. I like to mix it all together, but in the end it somehow has to all make sense.'
}, {
figure: 'Anna Sui',
mark: 'Lula Magazine Interview (20140226)',
quote: 'I had a really typical, suburban, middle-class upbringing. The only thing out of the ordinary was being one of the few Chinese families in town.'
}, {
figure: 'Anna Sui',
mark: 'Lula Magazine Interview (20140226)',
quote: 'I am inspired by New York...'
}, {
figure: 'Anna Sui',
mark: 'Lula Magazine Interview (20140226)',
quote: 'My main goal when I started my collection – and I didn’t think beyond this actually – was that I wanted to dress rock stars and the people that go to rock concerts.'
}, {
figure: 'Anna Sui',
mark: 'Lula Magazine Interview (20140226)',
quote: 'We picked up Madonna at The Ritz to go to the Gaultier show together, and she took off her coat. At this point she hadn’t even said a word to me, but she leaned over and said to me, Anna, I have a surprise for you, and she showed me she was wearing my dress.'
}, {
figure: 'Anna Sui',
mark: 'Financial Times Interview (20170714)',
quote: 'I’ve known a lot of talented people but the people that really, really, achieve success – there is ambition, focus and drive behind it.'
}, {
figure: 'Anna Sui',
mark: 'Financial Times Interview (20170714)',
quote: 'I bought a fur coat with my first pay cheque and it lived better than I did for years.'
}, {
figure: 'Anna Sui',
mark: 'Financial Times Interview (20170714)',
quote: 'People create their own obstacles.'
}, {
figure: 'Anna Sui',
mark: 'Financial Times Interview (20170714)',
quote: '...all the formulas have flown out of the window.'
}];
var Christian_Dior = [{
figure: 'Christian Dior',
mark: 'Christian Dior The opulence of the groundbreaking “New Look” collection of 1947. p36, as cited in: Judith Miller (2008). Costume Jewellery, p36',
quote: 'It is unforgivable to do what one doesn\'t love especially if one succeeds.'
}, {
figure: 'Christian Dior',
mark: 'In: "Dior," in LIFE, Vol24. nr. 9 (19480301), p48',
quote: 'I\'m a mild man, but I have violent tastes.'
}, {
figure: 'Christian Dior',
mark: 'In: Malcolm Perrine McNair, Harry L. Hansen (1949) Problems in Marketing. p165',
quote: 'I know very well the women. The short skirt was never a good fashion — very vulgar. The American women will accept the new fashions. You can never stop the fashions.'
}, {
figure: 'Christian Dior',
mark: 'Quoted in Ladies\' Home Journal, 195604',
quote: 'Zest is the secret of all beauty. There is no beauty that is attractive without zest.'
}, {
figure: 'Christian Dior',
mark: 'In: Newsweek, Vol50. Nr 19-26, (1957), p44',
quote: 'My dream is to save women from nature.'
}, {
figure: 'Christian Dior',
mark: 'in: Philippines Free Press Vol62. Nr. 14-26 (1969), p59',
quote: 'Women are most fascinating between the ages of 35 and 40, after they have won a few races and know how to pace themselves. Since few women ever pass 40, maximum fascination can continue indefinitely.'
}, {
figure: 'Christian Dior',
mark: 'As quoted in: Fakiko Fukai et al. (2004) Fashion in colors, p195',
quote: '[Black is] the most popular and the most convenient and the most elegant of all colors.'
}, {
figure: 'Christian Dior',
mark: 'In: Gokhan Bu, in The Master Of The Haute Couture’s Museum, Balenciaga Museum, 20110606',
quote: 'I wanted to be considered a good craftsman. I wanted my dresses to be constructed like buildings, molded to the curves of the female form, stylizing its shape.'
}, {
figure: 'Christian Dior',
mark: 'In: Larry Chang Wisdom for the Soul: Five Millennia of Prescriptions for Spiritual Healing, Gnosophia Publishers, 2006, p68',
quote: 'Zest is the secret of all beauty. There is no beauty that is attractive without zest.'
}, {
figure: 'Christian Dior',
mark: 'In: Maria Doulton Simply brilliant: Cher Dior lights up Paris. The Telegraph, 20110816',
quote: 'Colour is what gives jewels their worth. They light up and enhance the face. Nothing is more elegant than a black skirt and sweater worn with a sparkling multi-stoned necklace.'
}, {
figure: 'Christian Dior',
mark: 'In: Maria Doulton "Simply brilliant: Cher Dior lights up Paris"',
quote: 'Bright reds – scarlet, pillar-box red, crimson or cherry – are very cheerful and youthful.'
}, {
figure: 'Christian Dior',
mark: 'In: Jill Kargman Arm Candy: A Novel, Penguin, 20100513, p99',
quote: 'Women are most fascinating between the ages of 35 and 40 after they have won a few races and know how to pace themselves. Since few women ever pass 40, maximum fascination can continue indefinitely.'
}, {
figure: 'Christian Dior',
mark: '',
quote: 'We were emerging from the period of war, of uniforms, of women-soldiers built like boxers. I drew women-flowers, soft shoulders, fine waists like liana and wide skirts like corolla.'
}, {
figure: 'Christian Dior',
mark: 'In: Marie France Pochna Christian Dior: The Man who Made the World Look New, Arcade Publishing, 1996, p170',
quote: 'A dress is a piece of ephemeral architecture, designed to enhance the proportions of the female body.'
}, {
figure: 'Christian Dior',
mark: 'In Marie France Pochna, Christian Dior Dior, Universe/Vendome, 1996, p4',
quote: 'Women, with their sure instincts, realized that my intention was to make them not just more beautiful but also happier.'
}, {
figure: 'Christian Dior',
mark: 'In: Rotunda Rotunda, Volumes 34-36, Royal Ontario Museum, 2001, P.\n12',
quote: 'In a machine age, dressmaking is one of the last refuges of the human, the personal, the inimitable.'
}, {
figure: 'Christian Dior',
mark: 'In: D. R. Schneider Saving the Whales, Bwana Doc Adventures, 20080901, p77',
quote: 'A woman\'s perfume tells more about her than her handwriting.'
}, {
figure: 'Christian Dior',
mark: 'In: Nancy MacDonell Smith The Classic Ten: The True Story of the Little Black Dress and Nine Other Fashion Favorites, Penguin, 20031028, p17',
quote: 'You can wear black at any time. You can wear it at any age. You may wear it for almost any occasion; a \'little black frock\' is essential to a woman\'s wardrobe.'
}, {
figure: 'Christian Dior',
mark: 'In: Marie France Pochna [Christian Dior: The Man who Made the World Look New, Arcade Publishing, 1996',
quote: 'If my poor maman had still been alive, I would never have tried'
}, {
figure: 'Christian Dior',
mark: 'In: Marie France Pochna "Christian Dior: The Man who Made the World Look New", p48',
quote: 'My mother whom I adored, secretly wasted away and died of grief…; her death…marked me for life.'
}, {
figure: 'Christian Dior',
mark: 'In: Marie France Pochna "Christian Dior: The Man who Made the World Look New", p51',
quote: 'I used to have frequent arguments with my father which ended in doors slamming and the ultimate expletive ‘Filthy bougeois’'
}, {
figure: 'Christian Dior',
mark: 'In: Marie France Pochna, "Christian Dior: The Man who Made the World Look New", p53',
quote: 'We went from losses to goods seized by creditors, while continuing to organize surrealist or abstract exhibitions…'
}, {
figure: 'Christian Dior',
mark: 'In: Marie France Pochna, "Christian Dior: The Man who Made the World Look New", p57',
quote: 'I think I would be more suited to the couture side of the business!'
}, {
figure: 'Christian Dior',
mark: 'The Little Dictionary of Fashion, 1954',
quote: 'Much has been written about fashion, in all its aspects, but i do not think any couturier has ever before attempted to compile a dictionary on the subject.'
}, {
figure: 'Christian Dior',
mark: 'The Little Dictionary of Fashion, 1954. As cited in: Alison Behnke (2012) The Little Black Dress and Zoot Suits, p18',
quote: 'Many people dismiss haute couture as being something that is only for those who are very wealthy... simplicity, good taste, and grooming are the three fundamentals of good dressing and these do not cost money.'
}];
var Coco_Chanel = [{
figure: 'Coco Chanel',
mark: 'On Charles De Gaulle from the 1944 interview with, the then MI6 agent, Malcolm Muggeridge. Read the full interview here.',
quote: 'He will soon be claiming that the Resistance has liberated the world'
}, {
figure: 'Coco Chanel',
mark: 'Statement in the 1920s as quoted in Chanel (1987) by Jean Leymari',
quote: 'There is nothing more comfortable than a caterpillar and nothing more made for love than a butterfly. We need dresses that crawl and dresses that fly. Fashion is at once a caterpillar and a butterfly, caterpillar by day, butterfly by night'
}, {
figure: 'Coco Chanel',
mark: 'As quoted in LIFE magazine (1957)',
quote: 'Fashion is made to become unfashionable.'
}, {
figure: 'Coco Chanel',
mark: 'As quoted in Contemporary Quotations (1954) by James Beasley Simpson',
quote: 'How many cares one loses when one decides not to be something, but to be someone.'
}, {
figure: 'Coco Chanel',
mark: 'As quoted in Coco Chanel : Her Life, Her Secrets (1971), p95',
quote: 'In 1919 I woke up famous. I\'d never guessed it. If I\'d known I was famous, I\'d have stolen away and wept. I was stupid. I was supposed to be intelligent. I was sensitive and very dumb.'
}, {
figure: 'Coco Chanel',
mark: 'As quoted in Coco Chanel : Her Life, Her Secrets (1971)',
quote: 'Youth is something very new: Twenty years ago no one mentioned it.'
}, {
figure: 'Coco Chanel',
mark: 'As quoted in Coco Chanel : Her Life, Her Secrets (1971) by Marcel Haedrich',
quote: 'Fashion is architecture. It is a matter of proportions.'
}, {
figure: 'Coco Chanel',
mark: 'As quoted in Coco Chanel : Her Life, Her Secrets (1971) by Marcel Haedrich',
quote: 'Nothing is ugly as long as it is alive.'
}, {
figure: 'Coco Chanel',
mark: 'As quoted in Coco Chanel : Her Life, Her Secrets (1971) by Marcel Haedrich',
quote: 'In order to be irreplaceable one must always be different.'
}, {
figure: 'Coco Chanel',
mark: 'As quoted in Thinking Through the Essay (1986) by Judith Barker-Sandbrook and Neil Graham, p158',
quote: 'As long as you know that most men are like children, you know everything.'
}, {
figure: 'Coco Chanel',
mark: 'As quoted in Chanel (1987) by Jean Leymarie',
quote: 'Women think of all colors except the absence of color. I have said that black has it all. White too. Their beauty is absolute. It is the perfect harmony.'
}, {
figure: 'Coco Chanel',
mark: 'As quoted in Chanel : A Woman of Her Own (1991) by Axel Madsen, p124',
quote: 'Fashion is not something that exists in dresses only. Fashion is in the sky, in the street, fashion has to do with ideas, the way we live, what is happening.'
}, {
figure: 'Coco Chanel',
mark: 'As quoted in Believing in Ourselves (1992) by Armand Eisen, p15',
quote: 'Success is often achieved by those who don\'t know that failure is inevitable.'
}, {
figure: 'Coco Chanel',
mark: 'As quoted in Believing in Ourselves (1992) by Armand Eisen, p39',
quote: 'The most courageous act is still to think for yourself. Aloud.'
}, {
figure: 'Coco Chanel',
mark: 'As quoted in Architectural Digest (199409), p30',
quote: 'Fashion fades, only style remains the same.'
}, {
figure: 'Coco Chanel',
mark: 'As quoted in You\'ve Got Style : Your Personal Guide for Relating to Others (2000) by Robert Rohm , p29',
quote: 'Don\'t spend time beating on a wall, hoping to transform it into a door.'
}, {
figure: 'Coco Chanel',
mark: 'When asked who she dressed, as quoted in Paris, Paris : Journey Into the City of Light (2005) by David Downie, p93',
quote: 'Ask me who I don\'t dress!'
}, {
figure: 'Coco Chanel',
mark: 'As quoted in Paris, Paris : Journey Into the City of Light (2005) by David Downie, p93',
quote: 'I was a rebellious child, a rebellious lover, a rebellious couturière — a real devil.'
}, {
figure: 'Coco Chanel',
mark: 'As quoted in The Gospel According to Coco Chanel : Life Lessons from the World\'s Most Elegant Woman (2009) by Karen Karbo',
quote: 'A girl should be two things: classy and fabulous.'
}, {
figure: 'Coco Chanel',
mark: 'As quoted in Beauty in Bloom : A Collection of Beautiful Inspirations (2009) by Natalie Bloom, p23',
quote: 'The best colour in the whole world is the one that looks good on you.'
}];
var Jonathan_Ive = [{
figure: 'Jonathan Ive',
mark: 'In an interview for the BBC (200201)[specific citation needed]',
quote: 'Very often design is the most immediate way of defining what products become in people\'s minds.'
}, {
figure: 'Jonathan Ive',
mark: 'A reference to the Apple design team, in an interview at the Design Museum (2003)',
quote: 'The memory of how we work will endure beyond the products of our work.'
}, {
figure: 'Jonathan Ive',
mark: 'In an interview at the Design Museum (2003)[citation needed]',
quote: 'The defining qualities are about use: ease and simplicity. Caring beyond the functional imperative, we also acknowledge that products have a significance way beyond traditional views of function.'
}, {
figure: 'Jonathan Ive',
mark: 'On how he felt when he used a Mac for the first time at college, in an interview at the Design Museum (2003)[citation needed]',
quote: 'The more I learnt about this cheeky – almost rebellious – company, the more it appealed to me, as it unapologetically pointed to an alternative in a complacent and creatively bankrupt industry. Apple stood for something and had reason for being that wasn\'t just about making money.'
}, {
figure: 'Jonathan Ive',
mark: 'On the design of the Apple Cinema Display, in an article by Leander Kahney in Wired News magazine (200306)',
quote: 'There\'s an applied style of being minimal and simple, and then there\'s real simplicity. This looks simple, because it really is.'
}, {
figure: 'Jonathan Ive',
mark: 'In an interview in Icon Magazine (200307)',
quote: 'I think so many of the objects we\'re surrounded by seem trivial. And I think that\'s because they\'re either trying to make a statement or trying to be overtly different. What we were trying to do was have a very honest approach and an exploration of materials and surface treatment. So much of what we try to do is get to a point where the solution seems inevitable: you know, you think "of course it\'s that way, why would it be any other way?" It looks so obvious, but that sense of inevitability in the solution is really hard to achieve.'
}, {
figure: 'Jonathan Ive',
mark: 'In an interview in The Daily Telegraph newspaper (200511)[specific citation needed]',
quote: 'It\'s sad and frustrating that we are surrounded by products that seem to testify to a complete lack of care. That\'s an interesting thing about an object. One object speaks volumes about the company that produced it and its values and priorities.'
}, {
figure: 'Jonathan Ive',
mark: 'In The Globe and Mail newspaper (200701)[specific citation needed]',
quote: 'Being superficially different is the goal of so many of the products we see . . . rather than trying to innovate and genuinely taking the time, investing the resources and caring enough to try and make something better.'
}, {
figure: 'Jonathan Ive',
mark: 'Ive (2007) cited in: Lev Grossman "The Apple of Your Ear", Time Magazine, Friday, 20070112: About the iPhone upon its introduction*',
quote: 'I think there\'s almost a belligerence - people are frustrated with their manufactured environment. We tend to assume the problem is with us, and not with the products we\'re trying to use. In other words, when our tools are broken, we feel broken. And when somebody fixes one, we feel a tiny bit more whole.'
}, {
figure: 'Jonathan Ive',
mark: 'About the iPhone, in the Macworld Keynote (2007)[specific citation needed]',
quote: 'It’s not too shabby is it?'
}, {
figure: 'Jonathan Ive',
mark: 'Ive explaining his view on Apple\'s use of design in the product video shown at WWDC 2013 for iOS 7.',
quote: 'We have always thought about design as being so much more than just the way something looks. It\'s the whole thing: the way something works on so many different levels. Ultimately, of course, design defines so much of our experience.'
}, {
figure: 'Jonathan Ive',
mark: 'Ive explaining the design philosophy behind iOS 7 in its product video, shown at WWDC 2013.',
quote: 'I think there is a profound and enduring beauty in simplicity; in clarity, in efficiency. True simplicity is derived from so much more than just the absence of clutter and ornamentation. It\'s about bringing order to complexity.'
}, {
figure: 'Jonathan Ive',
mark: 'Ive (2012) cited in: "Without Steve Jobs, Has Apple Lost its Mojo?", TODAY Online, 20120612: About the new MacBook Pro in its introduction video*',
quote: 'To create something that\'s genuinely new, you have to start again, and I think with great intent, you disconnect from the past.'
}, {
figure: 'Jonathan Ive',
mark: 'Dezeen: "Fewer designers seem to be interested in how something is actually made" says Jonathan Ive (20160503)',
quote: 'With a father who is a fabulous craftsman, I was raised with the fundamental belief that it is only when you personally work with a material with your hands, that you come to understand its true nature, its characteristics, its attributes, and I think – very importantly – its potential.'
}, {
figure: 'Jonathan Ive',
mark: 'Vanity Fair: "Jonathan Ives Shares Three Lessons He Learned From Steve Jobs" (20141009)',
quote: 'I think a beautiful product that doesn\'t work very well is ugly.'
}];
var Marc_Jacobs = [{
figure: 'Marc Jacobs',
mark: 'Freeman, Hadley (2007). "The geek of chic" TheAge.\ncom.\nau (accessed 20070419)',
quote: 'It\'s the things that aren\'t accepted as conventionally beautiful that I find more attractive.'
}, {
figure: 'Marc Jacobs',
mark: 'Freeman, Hadley (2007). "The geek of chic" TheAge.\ncom.\nau (accessed 20070419)',
quote: 'I love the gym, but I still want to look a bit awkward at it. I don\'t want to look too on top of it, you know?'
}, {
figure: 'Marc Jacobs',
mark: 'Larocca, Amy (2005). "Marc Jacobs\' Paradoxial Triumph" NYMag.\ncom (accessed 20070419)',
quote: 'Awkwardness gives me great comfort.'
}, {
figure: 'Marc Jacobs',
mark: 'Larocca, Amy (2005). "Marc Jacobs\' Paradoxial Triumph" NYMag.\ncom (accessed 20070419)',
quote: '...People that don’t have any interest in the psychology of nuance, who need everything to be in their face, who don’t want to analyze... those aren’t the people I romanticize about dressing.'
}, {
figure: 'Marc Jacobs',
mark: 'Clark, Mary (2001). "Index Magazine interview" indexmagazine.\ncom (accessed 20070419)',
quote: 'I\'d like to believe that the women who wear my clothes are not dressing for other people, that they\'re wearing what they like and what suits them. It\'s not a status thing.'
}, {
figure: 'Marc Jacobs',
mark: 'Jonkers, Gert (2003). "Friendly homosexual fashion designer likes dogs but finds fashionable men terribly unsexy" buttmagazine.\ncom (accessed 20070419)',
quote: 'I don’t believe in fashion dictatorship, and I find that anybody who follows the dictates of fashion is a bit lost. I’m excited by style, not so much by fashion.'
}, {
figure: 'Marc Jacobs',
mark: 'Jonkers, Gert (2003). "Friendly homosexual fashion designer likes dogs but finds fashionable men terribly unsexy" buttmagazine.\ncom (accessed 20070419)',
quote: 'Clothes to me aren’t sexy. Like, a dress isn’t sexy. Maybe the girl who wears it is sexy.'
}, {
figure: 'Marc Jacobs',
mark: 'Jonkers, Gert (2003). "Friendly homosexual fashion designer likes dogs but finds fashionable men terribly unsexy" buttmagazine.\ncom (accessed 20070419)',
quote: 'It’s almost the not-knowing that’s sexy. When the look is too contrived... Trying to assimilate a look to be sexy to me is pretty transparent in the first place. So... somebody who just kind of stumbles into a sexy look... who’s not been thinking about fashion at all...'
}, {
figure: 'Marc Jacobs',
mark: 'Larocca, Amy (2005). "Marc Jacobs\' Paradoxial Triumph" NYMag.\ncom (accessed 20070419)',
quote: 'We always say, ‘Gisele’s so hot, how do we break her down?\''
}, {
figure: 'Marc Jacobs',
mark: 'Larocca, Amy (2005). "Marc Jacobs\' Paradoxial Triumph" NYMag.\ncom (accessed 20070419)',
quote: '...Everybody likes sex. The world would be a better place if people just engaged in sex and didn’t worry about it. But what I prefer is that even if someone feels hedonistic, they don’t look it. Curiosity about sex is much more interesting to me than domination. Like, Britney and Paris and Pamela might be someone’s definition of sexy, but they’re not mine. My clothes are not hot. Never. Never.'
}];
var Raymond_Loewy = [{
figure: 'Raymond Loewy',
mark: 'Raymond Loewy (ca. 1949); Cited in: Paul Greenhalgh (1993) Quotations and Sources on Design and the Decorative Arts. p117',
quote: 'Industrial design keeps the customer happy, his client in the black and the designer busy.'
}, {
figure: 'Raymond Loewy',
mark: 'Raymond Loewy (1951); As cited in: Angèle H. Reinders et al. The Power of Design. p93',
quote: 'A lot of people are open to new things, as long as they look like the old ones.'
}, {
figure: 'Raymond Loewy',
mark: 'Raymond Loewy 1950s, cited in: Karal Ann Marling, Donald J. Bush, Walker Art Center (1989) Autoeroticism. p16',
quote: 'Is it responsible to camouflage one of America\'s most remarkable machines as a piece of gaudy merchandise? Form, which should be the clean- cut expression of mechanical excellence has become sensuous and organic.'
}, {
figure: 'Raymond Loewy',
mark: 'Raymond Loewy, cited in: William Marling (1998) The American Roman Noir: Hammett, Cain, and Chandler. p279',
quote: 'I believe one should design for the advantage of the largest mass of people, first and always. That takes care of ideologies and sociologies.'
}, {
figure: 'Raymond Loewy',
mark: 'Attributed to Raymond Loewy in: Adam Richardson (2010) Innovation X, p184',
quote: 'Design is too important to be left to designers.'
}, {
figure: 'Raymond Loewy',
mark: 'Never Leave Well Enough Alone (1951). Intro',
quote: 'This book is the story of a young man who came to America to make a living, and simply happened to do so in a profession which he helped to create.'
}, {
figure: 'Raymond Loewy',
mark: 'Never Leave Well Enough Alone (1951). Ch1',
quote: 'I never expected that one could fall so completely in love with a nation and a people. I already knew that very soon I would thrill at everything American, love everything American, perhaps blindly, but fervently and forever. I still remember how thrilled I was at the sight of the flag. After all these years, every time I see the Stars and Stripes in the breeze, I get the same emotional feeling. Aesthetically speaking, it is perfect. One of the outstanding "designs" of all times. It may be that a nation gets the flag it deserves.'
}];
var Steven_Spielberg = [{
figure: 'Steven Spielberg',
mark: 'The Making of Jurassic Park [specific citation needed]',
quote: 'There is no such thing as science fiction, there is only science eventuality.'
}, {
figure: 'Steven Spielberg',
mark: 'OM [citation needed]',
quote: 'Failure is inevitable. Success is elusive.'
}, {
figure: 'Steven Spielberg',
mark: 'Rolling Stone [specific citation needed]',
quote: 'I love Rambo but I think it\'s potentially a very dangerous movie. It changes history in a frightening way.'
}, {
figure: 'Steven Spielberg',
mark: 'Rolling Stone [specific citation needed]',
quote: 'Oh, torture. Torture. My pubic hairs went gray.'
}, {
figure: 'Steven Spielberg',
mark: 'Time, 1979[specific citation needed]',
quote: 'The most expensive habit in the world is celluloid, not heroin, and I need a fix every few years.'
}, {
figure: 'Steven Spielberg',
mark: 'Time (19850715)',
quote: 'I dream for a living.'
}, {
figure: 'Steven Spielberg',
mark: 'The Making of Jurassic Park (Pg. 15)',
quote: 'Godzilla was the most masterful of all dinosaur movies because it made you believe it was really happening.'
}, {
figure: 'Steven Spielberg',
mark: 'The Making of Schindler\'s List [specific citation needed]',
quote: 'I interviewed survivors, I went to Poland, saw the cities and spent time with the people and spoke to the Jews who had come back to Poland after the war and talked about why they had come back.'
}, {
figure: 'Steven Spielberg',
mark: 'Life[specific citation needed]',
quote: 'People have forgotten how to tell a story.'
}, {
figure: 'Steven Spielberg',
mark: 'In an interview by the Brazilian magazine Veja (1993). Spielberg adds that so far he has not permitted his young son to watch some of his well-known movies (Jaws, the Indiana Jones series) because of the amount of blood and violence shown.',
quote: 'Watching violence in movies or TV programs stimulates the spectators to imitate what they see much more than if seen live or on TV news. In movies, violence is filmed with perfect illumination, spectacular scenery, and in slow motion, making it even romantic. However, in the news, the public has a much better perception of how horrible violence can be, and it is used with objectives that do not exist in the movies.'
}];
var Tom_Ford = [{
figure: 'Tom Ford',
mark: 'Pang, Jeanine Celeste (200503). Tom Ford Visits Oxford. fashionlines.\ncom. Retrieved on 20160312.',
quote: 'You can only make the slit so much higher, the stiletto so much taller.'
}, {
figure: 'Tom Ford',
mark: 'Tom Ford Biography. Biography.\ncom. A&E Television Networks. Retrieved on 20160418.',
quote: 'I guess I\'m hyper-self-conscious about people thinking that I\'m egotistical, but there\'s a difference between being egotistical and knowing your value as a product and an actor. I know my value as a product, and I\'ve divorced myself as a human from myself as a product.'
}, {
figure: 'Tom Ford',
mark: 'Shapiro, Gregg (20091224). A singular man. The Bay Area Reporter. Retrieved on 20160418.',
quote: '... style without substance is nothing, the substance in the story was the most important thing. Of course, there is a layer of style. If I were a director working in a different era, I would have had to be at MGM. I don\'t think I\'d probably know how to make anything but enhanced reality, because that\'s what comes naturally to me.'
}, {
figure: 'Tom Ford',
mark: 'Vogue Voices: Tom Ford. Vogue (20140110). Retrieved on 20160418.',
quote: 'I believe in a parallel universe of image and fantasy that isn\'t so much fantasy as it is forever sealed in films and things that have entertained us for years. This parallel universe has influenced me perhaps even more than the real world or the physical world. Because when I think of certain things, like a beautiful woman, its most likely someone I saw on film... these are things I\'ve been taking from film or television and applying it to real life.'
}];
var Yohji_Yamamoto = [{
figure: 'Yohji Yamamoto',
mark: 'Wim Wenders. Notebook on Cities and Clothes (1989). (The above transcription is from Kiyokazu Washida. The Past, the Feminine, the Vain in Talking to Myself (2002), Ch1. Fashion, or the Gaze at the Past).',
quote: 'Generally speaking, I am not interested in the future and don\'t believe in it. First, I guess it is true that I don\'t trust the future, but, more to the point, I don\'t even trust the "myself" of tomorrow, nor, for that matter, of the day after. Basically, all I know, and all I am capable of understanding, is the "me" that is here, now, the "me" that has dragged his past with him to this point.'
}, {
figure: 'Yohji Yamamoto',
mark: 'Kiyokazu Washida. The Past, the Feminine, the Vain in Talking to Myself (2002), Ch2. The Feminine, or the Gap Which Cannot be Filled.',
quote: 'I think perfection is ugly. Somewhere in the things humans make, I want to see scars, failure, disorder, distortion. If I can feel those things in works by others, then I like them.'
}, {
figure: 'Yohji Yamamoto',
mark: 'Kiyokazu Washida. The Past, the Feminine, the Vain in Talking to Myself (2002), Ch3. Feedom or the Vain.',
quote: 'In order to create an image almost similar to that of a pencil case standing up and walking, I try to eliminate all excess by cutting. I have the feeling that this process (of "cutting off") is linked in some way to "elegance". Elegance and so-called "eliminating excess", or the beauty that remains after excess has beeen eliminated...'
}, {
figure: 'Yohji Yamamoto',
mark: 'Kiyokazu Washida. The Past, the Feminine, the Vain in Talking to Myself (2002), Ch3. Feedom or the Vain.',
quote: 'Dirty, stained, withered, broken things seem beautiful to me.'
}, {
figure: 'Yohji Yamamoto',
mark: 'Yohji Yamamoto. May I Help You? in Talking to Myself (2002), Ch9. Creation.',
quote: 'I want to achieve anti-fashion through fashion. That\'s why I\'m always heading in my own direction, in parallel to fashion.'
}, {
figure: 'Yohji Yamamoto',
mark: 'Yohji Yamamoto. May I Help You? in Talking to Myself (2002), Ch12. The Expressions "Excuse-me" and "I\'m sorry".',
quote: 'My whole life is made up of: "I\'m sorry". I feel like I have to apologize to people, to things, to life itself. It\'s like, "I\'m sorry to be here". I don\'t want to disturb anyone. But in my work, in the clothes I create, I\'m actually telling people that I\'m here. So, I guess I\'m disturbing them, after all.'
}];
var Yves_Saint_Laurent = [{
figure: 'Yves Saint-Laurent',
mark: 'As quoted in "50 Days of Everyday Fashion" in Yours magazine.',
quote: 'I have always believed that fashion was not made only to make women more beautiful, but also to reassure them, give them confidence.'
}, {
figure: 'Yves Saint-Laurent',
mark: 'Quoted in The Observer, 19580803.',
quote: 'I don\'t really like knees.'
}, {
figure: 'Yves Saint-Laurent',
mark: 'New York Magazine (19831128), p53.',
quote: 'I have often said that I wish I had invented blue jeans: the most spectacular, the most practical, the most relaxed and nonchalant. They have expression, modesty, sex appeal, simplicity - all I hope for in my clothes.'
}, {
figure: 'Yves Saint-Laurent',
mark: 'Reported in Gaille, Brandon (20130723). "List of 38 Famous Fashion Quotes and Sayings". BrandonGaille.\ncom. Retrieved 20131115.',
quote: 'The most beautiful makeup of a woman is passion. But cosmetics are easier to buy.'
}];
/**
* @property {Function|function(Object):{}} flop
* @property {Function|function(Object):{}[]} flopShuffle
* @param flop.key
* @param flop.size
* @param flopShuffle.key
* @param flopShuffle.size
*/
const Quotes = {
Anna_Sui,
Christian_Dior,
Coco_Chanel,
Jonathan_Ive,
Marc_Jacobs,
Raymond_Loewy,
Steven_Spielberg,
Tom_Ford,
Yohji_Yamamoto,
Yves_Saint_Laurent
};
utilQuotes.FlopShuffleMaker.defineFlopShuffle(Quotes);
utilQuotes.FlopShuffleMaker.defineFlop(Quotes);
exports.Quotes = Quotes;